Â鶹Éç

Roles and responsibilities

• As Chief Content Officer, Charlotte is the senior Executive responsible for all the Â鶹Éç’s network TV and Radio output
• She oversees commissioning for all the national TV Channels and Â鶹Éç iPlayer, as well as commissioning and production for all 10 national radio networks and for Â鶹Éç Sounds. She also oversees commissioning and production for all Children’s and Education content
• The role is the creative lead for all of the Â鶹Éç’s key genres and portfolios, developing and delivering a strategy across all platforms, as well as identifying and developing new content and setting an editorial strategy that reflects the diversity of the Â鶹Éç’s audiences

Term of Board appointment: 1 September 2020 – 31 August 2026 (stepped down from the Board 27 February 2025)

Biography

In September 2020, Charlotte Moore was appointed Chief Content Officer and joined the Â鶹Éç Board. She is the senior leader for Â鶹Éç content and audiences across all genres and platforms, with the exception of News and Nations and Regions.

In July 2016, Charlotte Moore became Director, Â鶹Éç Content and Controller of Â鶹Éç One. She was responsible for the creative vision across the portfolio of channels, Â鶹Éç iPlayer and genres and took on oversight of Â鶹Éç Sport.

In January 2016, Charlotte Moore was appointed Controller of TV Channels and iPlayer, where she was the creative, editorial and strategic lead for Â鶹Éç One, Â鶹Éç Two, Â鶹Éç Four and Â鶹Éç iPlayer, ensuring the channels work in a complementary way while enhancing their distinctive positioning.

Charlotte has been Controller of Â鶹Éç One since June 2013. Under her leadership, Â鶹Éç One enhanced its position as the nation’s most popular TV channel.

2015 was Â鶹Éç One's most successful in nearly a decade, with 42 million people tuning in every week. Â鶹Éç One was the 2015 Channel of the Year and won the most awards at the 2016 Baftas. Â鶹Éç One provides a range of distinctive, high-quality programmes that feel relevant and reflect the diversity of modern Britain. It unites us as a nation around the big, shared moments - political, historic, sporting and cultural. Last year's Great British Bake Off final was watched live by a peak of more than 14 million people. It’s the place for the nation to come together and to find programmes that are timely and relevant, and speak to a wide audience - the channel that tackles big, universal subjects, and stories that people care about and become part of our everyday conversation. Charlotte’s ambition is to innovate within the mainstream by creating hits for the future, whilst ensuring much-loved long-running shows feel fresh and in touch with the audience. Over the last year, Â鶹Éç One has taken risks and pushed boundaries with new shows like Doctor Foster, The Night Manager, Peter Kay’s Car Share, David Attenborough’s Giant Dinosaur, Behind Closed Doors and Abused: The Untold Story. She’s also successfully launched new factual strands, whilst ensuring its returning shows are at the top of their game.

Charlotte spent the early part of 2013 as Acting Controller of Â鶹Éç Daytime Television. Prior to that Charlotte was the Â鶹Éç’s Commissioning Editor of Documentaries since 2009 where she was responsible for strategy and commissioning for in-house and independents across all four channels. Charlotte transformed the genre to produce a huge breadth of original programming, seeking out the best talent to bring the most compelling and inspiring documentary content to a broad audience. From Bafta-winning titles Protecting Our Children, 7/7 One Day In London, Between Life and Death, The Great British Bake Off, Terry Pratchett’s Choosing To Die, The Choir and Welcome To Lagos to hit series like Inside Claridges, The Call Centre, Lambing Live and The Tube.

She joined the Â鶹Éç in 2006 as Commissioning Executive for Documentaries. Prior to joining the Â鶹Éç, Charlotte was Director of Contemporary Factual at IWC Media focusing on high-profile contemporary narrative documentaries and series for all the major UK channels, including Â鶹Éç Two’s landmark series Stephen Fry: The Secret Life Of A Manic Depressive.

Last updated September 2020

Annual remuneration (as at July 2026)

• £200,000 - £204,999

Expenses and central bookings

Expenses are costs incurred by Â鶹Éç staff on behalf of the Â鶹Éç and claimed through the Â鶹Éç's expenses system.

Central bookings are costs incurred on behalf of the Â鶹Éç and booked through the Â鶹Éç's central bookings system.

Expenses and central bookings for the 2024/25 financial year onwards are available to view here.

• Charlotte Moore’s expenses Q4 2023-24
• Charlotte Moore’s central bookings Q4 2023-24
• Charlotte Moore’s expenses Q3 2023-24
• Charlotte Moore’s central bookings Q3 2023-24
• Charlotte Moore had no central bookings in Q1 2021-22

Gifts and Hospitality Register

Gifts and hospitality may only be accepted in line with Â鶹Éç policy. 

Information about gifts and hospitality for the 2024/25 financial year onwards is available to view here.

• Charlotte Moore had no gifts or hospitality to declare in Q3 2023-24
• Charlotte Moore had no gifts or hospitality to declare in Q2 2023-24
• Charlotte Moore had no gifts or hospitality to declare in Q1 2023-24
• Charlotte Moore had no gifts or hospitality to declare in Q4 2022-23
• Charlotte Moore had no gifts or hospitality to declare in Q3 2022-23
• Charlotte Moore had no gifts or hospitality to declare in Q2 2022-23
• Charlotte Moore had no gifts or hospitality to declare in Q1 2022-23
• Charlotte Moore had no gifts or hospitality to declare in Q4 2021-22
• Charlotte Moore had no gifts or hospitality to declare in Q3 2021-22
• Charlotte Moore had no gifts or hospitality to declare in Q2 2021-22
• Charlotte Moore had no gifts or hospitality to declare in Q1 2021-22

Declaration of personal interests

Staff must make a declaration of their personal and business interests, including any memberships or directorships of public or industry bodies, and any shareholdings, as well as any interests that their immediate families may also have.

A summary is published where there is something to declare and where there is nothing to declare. Occasionally an individual will have something to declare but due to the personal nature of the declaration we do not publish details as to do so would breach the General Data Protection Regulation.

This information is published annually, although if any amendments are made during the year an updated summary will be published if necessary as soon as it is available.

Downloads

• Charlotte Moore's Declaration of Personal Interests