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From the serenity of Vaughan Williams’ The Lark Ascending, the programme moves to Cameron Biles-Liddell’s gritty new Harp Concerto, before closing with Beethoven’s joyful Pastoral Symphony, a richly illustrative celebration of nature and landscape.

A vivid musical journey unfolds from Farrenc’s Overture No. 2 to Beethoven’s Pastoral Symphony, with Mozart’s Flute and Harp Concerto spotlighting Alis Huws, former Royal Harpist, and flautist Elizaveta Ivanova, in a charming celebration of nature.

A vivid musical journey unfolds from Farrenc’s Overture No. 2 to Beethoven’s Pastoral Symphony, with Mozart’s Flute and Harp Concerto spotlighting Alis Huws, former Royal Harpist, and flautist Elizaveta Ivanova, in a charming celebration of nature.

From spring light to Berlioz’s imagination: Boulanger’s D’un matin de printemps sparkles with colour and motion; Schubert’s Allegretto, with Steven Osborne, offers lyric intimacy; Beethoven’s Choral Fantasy leads to Berlioz’s Symphonie fantastique.

Marking 200 years since Beethoven’s death, this concert explores his links to British and Irish folk music. Grant Llewellyn leads songs inspired by Irish, Scottish and Welsh melodies, with piper and harp soloists, and the finale of Symphony No. 7.

Led by Jaime Martin, this concert pairs MacMillan’s Concerto for Orchestra – Ghosts with Beethoven’s Ninth Symphony. Marking 200 years since Beethoven’s death, the programme journeys from spectral memories to the symphony’s choral finale of joy.

Led by Jaime Martin, this concert pairs MacMillan’s Concerto for Orchestra – Ghosts with Beethoven’s Ninth Symphony. Marking 200 years since Beethoven’s death, the programme journeys from spectral memories to the symphony’s choral finale of joy.