Strauss and Wagner meet at the height of their expressive powers. Strauss’s Four Last Songs offer a radiant farewell, while Wagner’s Tristan und Isolde: An Orchestral Passion unfolds a magnificent, revolutionary sound world, conducted by Anthony Hermus.
Strauss and Wagner meet at the height of their expressive powers. Strauss’s Four Last Songs offer a radiant farewell, while Wagner’s Tristan und Isolde: An Orchestral Passion unfolds a magnificent, revolutionary sound world, conducted by Anthony Hermus.
Strauss and Wagner meet at the height of their expressive powers. Strauss’s Four Last Songs offer a radiant farewell, while Wagner’s Tristan und Isolde: An Orchestral Passion unfolds a magnificent, revolutionary sound world, conducted by Anthony Hermus.
Strauss and Wagner meet at the height of their expressive powers. Strauss’s Four Last Songs offer a radiant farewell, while Wagner’s Tristan und Isolde: An Orchestral Passion unfolds a magnificent, revolutionary sound world, conducted by Anthony Hermus.
From hushed contemplation to radiant choral power, this programme unfolds under Alpesh Chauhan. Music by María Huld Markan Sigfúsdóttir and Strauss leads to Bruckner’s monumental Mass No. 2, performed with the 鶹 National Chorus of Wales.
From hushed contemplation to radiant choral power, this programme unfolds under Alpesh Chauhan. Music by María Huld Markan Sigfúsdóttir and Strauss leads to Bruckner’s monumental Mass No. 2, performed with the 鶹 National Chorus of Wales.
Fate and fantasy unfold under Otto Tausk. Anna Clyne’s Masquerade sparkles with colour, Stephen Hough tackles Rachmaninov’s virtuosic Piano Concerto No. 3, and Janáček’s Taras Bulba leads to Strauss’s dazzling Don Juan.
Fate and fantasy unfold under Otto Tausk. Anna Clyne’s Masquerade sparkles with colour, Stephen Hough tackles Rachmaninov’s virtuosic Piano Concerto No. 3, and Janáček’s Taras Bulba leads to Strauss’s dazzling Don Juan.
Fate and fantasy unfold under Otto Tausk. Anna Clyne’s Masquerade sparkles with colour, Stephen Hough tackles Rachmaninov’s virtuosic Piano Concerto No. 3, and Janáček’s Taras Bulba leads to Strauss’s dazzling Don Juan.
Fate and fantasy unfold under Otto Tausk. Anna Clyne’s Masquerade sparkles with colour, Stephen Hough tackles Rachmaninov’s virtuosic Piano Concerto No. 3, and Janáček’s Taras Bulba leads to Strauss’s dazzling Don Juan.