Strauss and Wagner meet at the height of their expressive powers. Strauss’s Four Last Songs offer a radiant farewell, while Wagner’s Tristan und Isolde: An Orchestral Passion unfolds a magnificent, revolutionary sound world, conducted by Anthony Hermus.
Strauss and Wagner meet at the height of their expressive powers. Strauss’s Four Last Songs offer a radiant farewell, while Wagner’s Tristan und Isolde: An Orchestral Passion unfolds a magnificent, revolutionary sound world, conducted by Anthony Hermus.
Strauss and Wagner meet at the height of their expressive powers. Strauss’s Four Last Songs offer a radiant farewell, while Wagner’s Tristan und Isolde: An Orchestral Passion unfolds a magnificent, revolutionary sound world, conducted by Anthony Hermus.
Strauss and Wagner meet at the height of their expressive powers. Strauss’s Four Last Songs offer a radiant farewell, while Wagner’s Tristan und Isolde: An Orchestral Passion unfolds a magnificent, revolutionary sound world, conducted by Anthony Hermus.
Under Pietari Inkinen, this programme moves from Romantic drama to Nordic clarity. Wagner’s Tannhäuser Overture opens the concert, then Grieg’s Piano Concerto stars Anna Geniushene, and Sibelius’s Sixth and Seventh Symphonies crown the evening.
Under Pietari Inkinen, this programme moves from Romantic drama to Nordic clarity. Wagner’s Tannhäuser Overture opens the concert, then Grieg’s Piano Concerto stars Anna Geniushene, and Sibelius’s Sixth and Seventh Symphonies crown the evening.