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Strange parenting situations fascinate me. There is still a perception that mothers are always the best people to bring up a child, but what happens if the mother is neglectful, selfish or unfit. Responsibilities
The script was difficult to get right and I went through various drafts trying to pinpoint the twists and turns of the ride that Radge goes on. My main mistake was trying to include too much, and when we stripped out all the subplots about Radge's debts and the ugly people he owed money to, the story started to sing. Because the beauty of the story is it's simplicity. Two brothers and a child. Who brings up that child? And what sort of father is Radge? That was all we needed and it worked to perfection. The end scenes leave a lump in the throat. Funny
This story appealed to me greatly. It's based on a real event, a misheard small ad in a local paper came out as 'White person, no DSS'. And suddenly, some poor landlord was being branded a racist. The joy is making this happen to Barmpot, a man who is secretly in love with a black woman. The accusation is mortifying. What I learned on is that big issues - such as racism or drug abuse - don't have to be handled in an earnest way. Sometimes, it's more powerful if you can make your point through humour. And that's how I approached this story. It's slight, but effective. For me, Will Mellor excels as Barmpot - he is just the right mix of comic and credible. He brings Barmpot to life in a way I could never have imagined and stakes his claim as one of our brightest young TV actors.
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