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28 October 2014
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Paul Horn

The Passion of Paul - Part 2

Whether you find poetry inspirational, or a bore, it has a place for everyone. Paul Horn, a young Gloucestershire poet gives me insight into his world of poetry. Here's the continuation of the interview...

How do you see your work?

I couldn聮t do without it! It聮s like bread or water, or something absolutely essential to me. I find myself absolutely fulfilled when I聮ve written a poem or when I聮m writing one. Having written one you fall away rapidly from being a poet to being a poet at rest, which is hardly the same thing at all. But the actual experience of writing a poem is a magnificent one.

Thematically, I don聮t dig genres, and I feel a little cautious about classifying my poems. I guess they聮re pretty dark and intense, which probably owes a debt to the poetry I enjoy reading. I think my poems come immediately out of my sensuous and emotional experiences, and as such are really personal.

As far as things that are characteristic of my poetry, I like to use a lot of emotive language and extravagant real and metaphorical imagery. I guess that something I do quite well which I admire in other people is simply looking at things in different ways, for example, in 聭Love Poem no.2聮, nurses as moths, and smiles as hooks.

Do you prefer clarity or ambiguity in a poem, and why do you see this as important?

They聮re both important I guess, and a poem with elements of only one would make for difficult reading. It's a question of taste as to which you prefer聟 Certain poems, ones that are overtly political or whatever, require a lot of clarity, but I don聮t like hat-throwing, flag-waving poems, and I don聮t like being preached to, so I聮d have to say the latter. I like to wallow a bit. A little ambiguity gives the poem scope, and I wouldn聮t like anyone who聮s reading the poem to feel like his or her intelligence is being insulted.

What would you say are a couple of your greatest achievements as a poet?

I recently was runner-up in the UCE Poetry Prize with 聭Love Poem no.2聮, which was judged by the Poet Laureate, Andrew Motion, who also presented the awards.

Love Poem no.2

Stasis of emptiness. Sterile. Sterile.
The nurses flit across this cold white abyss
Like so many moths. What is that? A smile?
Or the subtle crook that hangs from your lips
To pull me in? I can never decide.
Do you really think you聮ll just wash me free
Of my loving persuasions 聳 with some slight
Of hand, some stitches, forever absolve me?
Well I never asked for a priest. Or for
This snickering, Kit-Kat crunching crowd to
Come and paint me the lurid spectrum of a
Victory parade. I just wanted to
Stain the precious ivory with crimson,
Daze, and in my silence be forgiven.

PAUL HORN 6/11/03

Trauma on stage

My another achievement of note was at the last gig The Trauma played, where after we had played, one young woman told me that listening to the lyrics of 聭Sofia聮 had brought tears to her eyes. Normally I聮m not happy to make girls cry, but I must admit I was proud to have created that degree of empathy.

Many students find poetry meaningless and boring. How would you respond to this and explain what you think poetry is and why it is interesting?

Firstly, I guess that it would be na茂ve of me to say that poetry is for everyone, because it isn聮t. A feeling that it is difficult, effeminate, or simply irrelevant puts off some people. It聮s partly this sort of stigma that stops some people 聭getting聮 poetry I think.

I聮ve certainly got some strange looks on the bus, reading my Sylvia Plath anthology. Really I can only speak about poetry from my own perspective: as a reader, the poetry I like to read is an expression of the most intimate and intense feelings, and therefore a completely compelling insight for a voyeur like me; as a writer it provides me with an outlet for emotional experiences I wouldn聮t otherwise be able to communicate.

I suppose another reason some students may find alien is because of the medium itself. To want to read poetry, let alone write it is just plain weird to a lot of people. This is partly why I think music is a suitable medium for verse. Aren聮t the best songs the ones you hear and think, "that聮s about me"? It聮s often the same with poetry, and it is this quality that makes some modern songwriters poets in their own right, and I certainly aspire to use it.

Any advice to a young poet?

Choose your heroes wisely, stick to form, and don聮t be afraid to say what you want to say.

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If you have suggestions about any Gloucestershire arty things I can write about, send them to me via e-mail below:

gloucestershire@bbc.co.uk

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