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Default Paragraph Font;}}{\info{\title FRENCH JOURNEY - PROGRAMME 2}{\author chests01}{\operator Jose D\'e9niz - Â鶹Éç Web Producer, Languages}{\creatim\yr2000\mo3\dy28\hr14}{\revtim\yr2000\mo3\dy28\hr15\min30}{\printim\yr2000\mo3\dy27\hr11\min26}
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\pnlcltr\pnstart1\pnindent720\pnhang{\pntxta )}}{\*\pnseclvl5\pndec\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl6\pnlcltr\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl7\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}
{\pntxta )}}{\*\pnseclvl8\pnlcltr\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl9\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}\pard\plain \widctlpar\adjustright \fs20\lang2057\cgrid {\b\f1\fs22\ul FRENCH JOURNEY - PROGRAMME 2

\par 
\par MARSEILLE - DJ & CHOR\'c9GRAPHES
\par }{\i\f1\fs22 
\par 
\par Marseille is bursting with artistic activity.  David went to La Friche, an old tobacco factory which has been transformed into one of the largest arts-centres in the city.
\par About a thousand artists pass through the door each year, to perform.  They come from every area - theatre, dance, music, mime, sculpture, cinema and multimedia.  And all together, they represent this Marseille mixture
.  Intrigued, David went to find out all about it.}{\f1\fs22 
\par }{\b\f1\fs22 
\par 
\par David:}{\f1\fs22   Hi, I'm David
\par }{\b\f1\fs22 
\par 
\par Rebel:}{\f1\fs22   Pleased to meet you. Rebel
\par 
\par }{\b\f1\fs22 
\par David:}{\f1\fs22   What do you do here?
\par 
\par }{\b\f1\fs22 
\par Rebel:  }{\f1\fs22 I'm an instructor.  I teach a bit about Djing to the young and the not so young, who want to know more about the art of being a DJ.
\par 
\par }{\b\f1\fs22 
\par David:}{\f1\fs22   What's he doing?
\par 
\par }{\b\f1\fs22 
\par Rebel:  }{\f1\fs22 He's mixing - that means he goes from the turn-table on the left to the turn-table on the right, and vice versa, whilst keeping the tempo. The aim is to mix one record with another whilst keeping the beat.
\par 
\par }{\b\f1\fs22 
\par David:}{\f1\fs22   Can I try?
\par 
\par }{\b\f1\fs22 
\par Rebel:  }{\f1\fs22 Of cou
rse you can try.  The only thing you have to remember is to keep these marks opposite the head so that you start at the beginning of the beat Press gently on the record as if it was a pretty girl.  So when you let go of your record, it'll play straight aw
ay.  The aim of the game is to be hyper, hyper...
\par 
\par }{\b\f1\fs22 
\par David:}{\f1\fs22   You do that one, I'll do this one. 
\par 
\par }{\b\f1\fs22 
\par Rebel:  }{\f1\fs22 Don't press 'start'.
\par 
\par }{\b\f1\fs22 
\par David:}{\f1\fs22    How many out of ten?
\par 
\par }{\b\f1\fs22 
\par Rebel:}{\f1\fs22    It's the first time you've done it so I can't give you a mark, it's impossible.
\par 
\par }{\b\f1\fs22 
\par David:}{\f1\fs22   Zero?
\par 
\par }{\b\f1\fs22 
\par Rebel:}{\f1\fs22   Less than zero!
\par 
\par 
\par }{\i\f1\fs22 "You are here" is the title of a massive art exhibition that covers the entire area of the 
\par 8 000m\'b2 roof of La Friche.  It's the creation of two choregraphers - Bernard Misrachi and Madeleine Chiche.  Video screens and loudspeakers are randomly placed on the roof.  The public are invited to walk into the centre of this space. 
\par }{\b\i\f1\fs22 
\par }{\b\f1\fs22 
\par Madeleine Chiche:}{\f1\fs22   Some people call it an installation, others a show or an exhibition.  For us, it's an extension of our work as choreographers.
\par 
\par }{\b\f1\fs22 
\par Bernard Misrachi:}{\i\f1\fs22   }{\f1\fs22 
We like working on what we call the immediate environment.  On ways of being present in the world and making people aware of things in our immediate surroundings.  So it could be a pedestrian crossing the road, a little boy saying
 something funny or it could be the tap running in the basin.  These are insignificant things but when you look at them more closely, they're full of information.
\par 
\par }{\b\f1\fs22 
\par }{\i\f1\fs22 David couldn't resist any longer.  He made a new friend, and here's their homage to Bernard and Madeleine's work.
\par 
\par 
\par }{\b\f1\fs22 Bernard Misrachi:}{\i\f1\fs22   }{\f1\fs22 Every evening we look at how the public use the space that we've created for them and they use it very well, so we're pleased.
\par 
\par 
\par }{\f1 Copyright Â鶹Éç 2000.
\par }}