Such was the passion for decoration and ornamentation in Lecce that in the 17th and 18th centuries a novel form of craftsmanship grew up: 'cartapesta', papier-mâché.
The local craftsmen lacked expensive materials, such as marble or gold, so they turned to the materials they could afford: straw, scraps of paper, and plaster.
With these they were able to produce large, brightly coloured figures, most typically devotional subjects such as the Madonna, Christ, local saints or other biblical figures, which could be used to adorn churches or brought out for adoration during processions and sacred festivals.
Models are formed in straw and then covered with papier maché. The smallest, most intricate details such as hands, feet and faces, are crafted from terracotta or plaster.
Still produced today, the expressions on the faces of the figures remain the same as those made over 200 years ago, and represent the same religious moments and sacraments.
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Cartapesta, the poor man's marble