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{\author keevij20}{\operator keevij20}{\creatim\yr1998\mo12\dy7\hr10\min39}{\revtim\yr1998\mo12\dy7\hr15\min32}{\printim\yr1998\mo12\dy7\hr11\min15}{\version3}{\edmins10}{\nofpages2}{\nofwords532}{\nofchars3037}{\*\company Â鶹Éç Education}{\nofcharsws0}
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\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}\pard\plain \s1\ri360\keepn\widctlpar\outlinelevel0\adjustright \f1\lang2057\cgrid {Spanish Journey Part One}{
\par }\pard\plain \widctlpar\adjustright \fs20\lang2057\cgrid {\f1\fs24 2. Granada
\par }\pard \ri360\widctlpar\adjustright {\f1\fs24 
\par Narrator
\par }\pard\plain \s15\ri360\widctlpar\adjustright \f1\cgrid {Visitors go to Granada mainly because of the Alhambra. It was built when most of the Iberian Peninsula was in the hands of the Moors, and parts of the palace date back to the 7
th century. But Granada has many other places of interest to explore and this is what Inka 
does when she comes here. Granada has a rich and fascinating history. It was an important city for centuries and it was the last bastion of the Moors before they were driven out. Their legacy is to be found today in the local craftwork, for instance the
 inlaid woodwork. But Granada is certainly not a museum: it is a vibrant, colourful city, full of character. Inka, accompanied by Juan Bustos Bustos, an expert in local history, is visiting the }{\i Albaic\'edn}{, one of the oldest areas of the city.

\par }\pard\plain \ri360\widctlpar\adjustright \fs20\lang2057\cgrid {\f1\fs24 
\par }\pard\plain \s1\ri360\keepn\widctlpar\outlinelevel0\adjustright \f1\lang2057\cgrid {Inka Mart\'ed
\par }\pard\plain \ri360\widctlpar\adjustright \fs20\lang2057\cgrid {\f1\fs24 Juan, Granada is full of }{\i\f1\fs24 c\'e1rmenes}{\f1\fs24 , isn't it? Is this a }{\i\f1\fs24 carmen}{\f1\fs24 ?
\par 
\par Juan Bustos 
\par This is a carmen, the exterior wall of a carmen. A carmen was a small property that was divided into part garden and part kitchen garden. And of course it was completely and totally sheltered f
rom the gaze of passers-by. The Moors were a people obsessed with their private lives, their privacy, and wouldn\rquote t share it with strangers. 
\par 
\par [}{\i\f1\fs24 song}{\f1\fs24 ]
\par 
\par Juan Bustos
\par You must keep in mind that this district, as befits a district of ancient Moorish ancestry, was typical of a people that... as people from the desert they had no water, no flowers, and no light, not like you find here. Their light was hard and harsh
, like the sand and desert lands. Here they went mad with flowers, and c
reated a truly incredible paradise of flowers. The Moors are a particularly thirsty people: they were people who had been living for centuries amidst the hot sands of the desert, so they developed a water cult. Granada allowed them to worship th
e element most necessary for their survival: water. The cisterns are an example of the ingenuity and great skill of the Moors as hydraulic engineers. They were able to make water do their bidding and meet their needs 
like no other people had ever done before.
\par 
\par Inka Mart\'ed
\par With delicious water.
\par 
\par Juan Bustos
\par Manuel Bellido Machado wrote a sonnet with the lines: "Granada, the lament of hidden water." The sound you hear is the plaintive murmur of the water of Granada.
\par 
\par Narrator
\par But water is not the only element that sings in Granada. Spain is famous for its guitar players, like Paco Pe\'f1a, Paco de Lucia or Tomatito, and for its guitar makers. Manuel Bellido Bellido started making guitars when he was only 14 years old. 
\par 
\par [}{\i\f1\fs24 music}{\f1\fs24 ]
\par 
\par Inka Mart\'ed
\par Manuel, do you need to build a guitar with love for it to play well?
\par 
\par Manuel Bellido 
\par Yes! It's the most important thing. We say that on one hand a guitar is made of wood, wood and glue, isn't it? The glue we use is an animal extract. We've been using it forever. S
o a guitar consists of wood and also the hands of its maker... I believe you have to do everything with love. Not only make guitars: you need it for everything you do.
\par 
\par Inka Mart\'ed
\par Why is it that Spain produces such good flamenco players?
\par 
\par Manuel Bellido
\par I think it must be in the genes. It's genetic. There are good flamenco guitar players in other parts of the world, but maybe they lack what we call the magic, the }{\i\f1\fs24 duende}{\f1\fs24 
, and some people have it but they have to come from the Andalusian or the gypsy families.
\par 
\par [}{\i\f1\fs24 music}{\f1\fs24 ]
\par 
\par Manuel Bellido
\par I think it really comes from hunger, doesn't it? As well...[}{\i\f1\fs24 music}{\f1\fs24 ].  Every country has a hunger, an innate quality... but I don't mean by that that people outside Spain can't play the guitar well.
\par 
\par Inka Mart\'ed
\par And can you play your guitars?
\par 
\par Manuel Bellido
\par No, to play is something else. It is very important for me: I have great respect for anyone who can play the guitar.
\par 
\par [}{\i\f1\fs24 music}{\f1\fs24 ]
\par }\pard \widctlpar\adjustright {\f1\fs24 
\par }}