{\rtf1\ansi\ansicpg1252\uc1 \deff0\deflang1033\deflangfe1033{\fonttbl{\f0\froman\fcharset0\fprq2{\*\panose 02020603050405020304}Times New Roman;}{\f1\fswiss\fcharset0\fprq2{\*\panose 020b0604020202020204}Arial;}}{\colortbl;\red0\green0\blue0; \red0\green0\blue255;\red0\green255\blue255;\red0\green255\blue0;\red255\green0\blue255;\red255\green0\blue0;\red255\green255\blue0;\red255\green255\blue255;\red0\green0\blue128;\red0\green128\blue128;\red0\green128\blue0;\red128\green0\blue128; \red128\green0\blue0;\red128\green128\blue0;\red128\green128\blue128;\red192\green192\blue192;}{\stylesheet{\widctlpar\adjustright \fs20\lang2057\cgrid \snext0 Normal;}{\*\cs10 \additive Default Paragraph Font;}{\s15\ri360\widctlpar\adjustright \f1\lang2057\cgrid \sbasedon0 \snext15 Body Text;}}{\info{\title MADRID BY NIGHT}{\author keevij20}{\operator keevij20}{\creatim\yr1998\mo12\dy7\hr10\min52}{\revtim\yr1998\mo12\dy7\hr17\min13}{\printim\yr1998\mo12\dy7\hr11\min15}{\version4}{\edmins4} {\nofpages3}{\nofwords477}{\nofchars2722}{\*\company Âé¶¹Éç Education}{\nofcharsws0}{\vern89}}\paperw11906\paperh16838 \widowctrl\ftnbj\aenddoc\hyphcaps0\formshade\viewkind4\viewscale100\pgbrdrhead\pgbrdrfoot \fet0\sectd \linex0\headery709\footery709\colsx709\endnhere\sectdefaultcl {\*\pnseclvl1\pnucrm\pnstart1\pnindent720\pnhang{\pntxta .}}{\*\pnseclvl2\pnucltr\pnstart1\pnindent720\pnhang{\pntxta .}}{\*\pnseclvl3\pndec\pnstart1\pnindent720\pnhang{\pntxta .}}{\*\pnseclvl4 \pnlcltr\pnstart1\pnindent720\pnhang{\pntxta )}}{\*\pnseclvl5\pndec\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl6\pnlcltr\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl7\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (} {\pntxta )}}{\*\pnseclvl8\pnlcltr\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl9\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}\pard\plain \ri360\widctlpar\adjustright \fs20\lang2057\cgrid {\f1\fs24 Spanish Journey Part One \par 7. Madrid by night \par \par Narrator \par }\pard\plain \s15\ri360\widctlpar\adjustright \f1\lang2057\cgrid Madrid is obsessed with fame and the lives of the jet set. There is a large circulation of gossip magazines that keep tabs on them. A newcomer to this world is Alejandro Amen\'e1 bar, the director of the film "Open your eyes". \par \pard\plain \ri360\widctlpar\adjustright \fs20\lang2057\cgrid {\f1\fs24 \par Robert Elms \par You are so young, you're only 23! \par \par Alejandro Amen\'e1bar \par No, I was 23 when I made my first film. That was three years ago. I'm 26 now. \par \par Robert Elms \par But 26 is still young, it's younger than normal. \par \par Alejandro Amen\'e1bar \par It's true that 23 is quite young to start making movies, but I don't think age matters in the film world. It all depends on whether you feel like telling a story and someone believes in you. This has also happened in novel-writing, there are some very young authors who are published out there. \par \par Robert Elms \par What is the story line of "Open your eyes"? \par \par Alejandro Amen\'e1bar \par "Open your eyes" is the story of a young man who is getting on well in life and then suddenly, because of an accident, everything starts to go haywire and he starts developing a paranoia. It's really a story about alienation, how in a big city like Madrid, any city, there comes a moment when you start to feel like a stranger - a stranger in your own city. That is what I wanted to examine. I wanted to look at Madrid as a city that even its own inhabitants find strange. It is set in Madrid, but obviously could be in any big city. As for the Gran V\'ed a, it's the one street that most captures the essence of Madrid and just looking at it you could never imagine it to be empty, so it was amusing to try do just that, which we managed to do. \par \par Robert Elms \par And it is where all the cinemas are? \par \par Alejandro Amen\'e1bar \par That's right, I used to stroll down here as a child with my parents looking at all the bill hoardings and I never imagined that one day one of my own movies would show here. \par \par Robert Elms \par Thanks very much Alejandro Amen\'e1bar, let's head for the movie house! \par \par Alejandro Amen\'e1bar \par Let's go! \par \par [}{\i\f1\fs24 music}{\f1\fs24 ] \par \par Narrator \par If you're on the lookout for the rich and famous, the best place to catch them in flesh and blood is at the capital's cinemas during the Thursday night premi\'e8res. \par \par [}{\i\f1\fs24 music}{\f1\fs24 ] \par \par Narrator \par Things start happening at 11pm in Madrid. The frenetic city nightlife kicks off and everyone is there to participate, adults and children alike. There is something there for everyone. \par \par [}{\i\f1\fs24 music}{\f1\fs24 ] \par \par Narrator \par For those that are nostalgic for Old Madrid, Olga Ramos continues to sing her lyrical verses. \par \par Robert Elms \par Olga, what exactly is the 'cupl\'e9'? \par \par Olga \par What we call the 'cupl\'e9' is a complex genre that can make people laugh, cry or relate to Madrid and get back to their roots. Or it can make them feel military, for instance, if I sing: "When the drums roll and with the sound of the tarar\'ed ..." That is the cupl\'e9, very varied, complex and difficult. \par \par [}{\i\f1\fs24 music}{\f1\fs24 ] \par \par Robert Elms \par Is it an old Madrid tradition? \par \par Olga \par It spread in Spain, but it isn't from Madrid - it's of French origin. They sang it all over Spain but in the big cities like Barcelona and Madrid, as the latter had good theatres, it caught on much more. \par \par Robert Elms \par But today we only find it in Madrid, don't we? \par \par Olga \par Only in the Olgas, I'd say. \par \par }{\i\f1\fs24 [music}{\f1\fs24 ] \par \par Olga \par The cupl\'e9 has come to roost in this old corner of Madrid: it has found refuge here. \par \par [}{\i\f1\fs24 music}{\f1\fs24 ] \par \par Narrator \par The party is on and it is not going to stop - from the old-time melodies to the disco beat - until the sun is up! \par \par }\pard \widctlpar\adjustright {\f1\fs24 [}{\i\f1\fs24 music}{\f1\fs24 ] \par }}