{\rtf1\ansi\ansicpg1252\uc1 \deff0\deflang1033\deflangfe1033{\fonttbl{\f0\froman\fcharset0\fprq2{\*\panose 02020603050405020304}Times New Roman;}{\f1\fswiss\fcharset0\fprq2{\*\panose 020b0604020202020204}Arial;}}{\colortbl;\red0\green0\blue0; \red0\green0\blue255;\red0\green255\blue255;\red0\green255\blue0;\red255\green0\blue255;\red255\green0\blue0;\red255\green255\blue0;\red255\green255\blue255;\red0\green0\blue128;\red0\green128\blue128;\red0\green128\blue0;\red128\green0\blue128; \red128\green0\blue0;\red128\green128\blue0;\red128\green128\blue128;\red192\green192\blue192;}{\stylesheet{\widctlpar\adjustright \fs20\lang2057\cgrid \snext0 Normal;}{\*\cs10 \additive Default Paragraph Font;}{\s15\ri360\widctlpar\adjustright \f1\cgrid \sbasedon0 \snext15 Body Text;}}{\info{\title Spanish Journey Part Two}{\author keevij20}{\operator keevij20}{\creatim\yr1998\mo12\dy18\hr15\min18}{\revtim\yr1998\mo12\dy18\hr15\min18}{\version1}{\edmins0}{\nofpages2}{\nofwords438}{\nofchars2498} {\*\company Âé¶¹Éç Education}{\nofcharsws3067}{\vern89}}\paperw11906\paperh16838 \widowctrl\ftnbj\aenddoc\formshade\viewkind4\viewscale100\pgbrdrhead\pgbrdrfoot \fet0\sectd \linex0\headery709\footery709\colsx709\endnhere\sectdefaultcl {\*\pnseclvl1 \pnucrm\pnstart1\pnindent720\pnhang{\pntxta .}}{\*\pnseclvl2\pnucltr\pnstart1\pnindent720\pnhang{\pntxta .}}{\*\pnseclvl3\pndec\pnstart1\pnindent720\pnhang{\pntxta .}}{\*\pnseclvl4\pnlcltr\pnstart1\pnindent720\pnhang{\pntxta )}}{\*\pnseclvl5 \pndec\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl6\pnlcltr\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl7\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl8\pnlcltr\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}{\*\pnseclvl9\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}\pard\plain \ri360\widctlpar\adjustright \fs20\lang2057\cgrid {\f1\fs24 Spanish Journey Part Two \par 9. Bullfighting \par \par Narrator \par Spain's }{\i\f1\fs24 fiesta nacional}{\f1\fs24 , }{\i\f1\fs24 la}{\f1\fs24 }{\i\f1\fs24 corrida}{\f1\fs24 [the bullfight] is a celebration of death. The tradition and roots are so deep in the soil of Andalusia that if a lad from Seville were to die in the ring, many people would remember and commemorate him with the highest honours. \par \par [}{\i\f1\fs24 music}{\f1\fs24 ] \par \par The last young man to rise to stardom in the bullfighting ring was Luis Mariscal. \par \par Robert Elms \par Hello, how are you? \par \par Luis Mariscal \par Here we are. \par \par Robert Elms \par What\lquote s happening here with the kids? \par \par Luis Mariscal \par They are here to learn, learning the profession, which is being a bullfighter. \par \par Robert Elms \par Is that normal - do kids really want to become bullfighters? \par \par Luis Mariscal \par Yes, of course; in Spain they see it a lot. And they say it\rquote s beautiful and they start very young. \par \par Robert Elms \par Are there any future stars here? \par \par Luis Mariscal \par Yes, there are surely always one or two that stand out, that are going to become well-known in bullfighting. On top of that, [there are] the ones who come here, who have the touch, have the art. I started like they did, very young. \par \par Robert Elms \par Do you have any bullfighters in your family? \par \par Luis Mariscal \par Yes, my father is a }{\i\f1\fs24 banderillero }{\f1\fs24 [bullfighter\rquote s assistant who puts the spikes or }{\i\f1\fs24 banderilleros}{\f1\fs24 into the bull], my uncle is a }{\i\f1\fs24 banderillero}{\f1\fs24 , my cousin is a }{\i\f1\fs24 novillero }{\f1\fs24 [novice bullfighter who fights younger, tamer bulls, }{\i\f1\fs24 novillos}{\f1\fs24 ] and so is my brother. \par \par Robert Elms \par }\pard\plain \s15\ri360\widctlpar\adjustright \f1\cgrid {You've got it in the blood. \par }\pard\plain \ri360\widctlpar\adjustright \fs20\lang2057\cgrid {\f1\fs24 \par Luis Mariscal \par Yes, it was in my blood. \par \par Robert Elms \par Do you think bulls are part of Spanish culture? \par \par Luis Mariscal \par Well, yes, it is an art form, and as such enters into the culture, doesn't it? There it is that\'85 in fact, now, we do it, what we do\'85 the ballet we do and at the same time risking our lives\'85 [sic]. \par \par Robert Elms \par But it's an art form involving an animal and it's an art form of death, isn't it? \par \par Luis Mariscal \par Oh, but you don't have to look at the tragic part of it. You don't look at the death aspect: but you look at what happens before that, at the bullfighting, where you slow the bull down, you break the bull and once you have done that you can try and show your artistry in front of the bull. It\rquote s always been said that a bullfighter cannot know fear, only respect. Let's say that someone who is fearless - if you are not afraid of something it is because you don't know just how dangerous it is, and that makes it.... you are not afraid, it is a crazy thing, isn't it? \par \par Narrator \par Brutality and beauty are the two most important components of the complex ritual of the }{\i\f1\fs24 corrida}{\f1\fs24 . Despite all the pressure from animal cruelty groups, it would be hard to find a Sevillian who would not rank this celebration as having a very important position in their culture. \par \par [}{\i\f1\fs24 music}{\f1\fs24 ] \par \par Narrator \par It is not a sport, but rather a spectacle where death intervenes at the end, and which gathers a wide spectrum of society on the tiers [of seats] in the ring. T his has been a great day for Luis Mariscal, although it hasn't ended quite how he would have wished. \par \par [}{\i\f1\fs24 music}{\f1\fs24 ] \par \par \par }\pard \widctlpar\adjustright {\f1\fs24 \par }}