Â鶹Éç

The Â鶹Éç Proms returns in summer 2026, presenting eight weeks of world-class music from an array of leading orchestras, conductors and soloists from across the UK and around the world.

• Read more: Â鶹Éç Proms 2026 presents 86 concerts over eight weeks with every note broadcast on Â鶹Éç Radio 3 and Â鶹Éç Sounds, and 24 Proms programmes on Â鶹Éç TV and iPlayer
  
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Here's everything you need to know about this year's season...

Season Overview

The 2026 Â鶹Éç Proms season features:

• 86 Proms across eight weeks
• 20 international ensembles
• 41 orchestras and choirs from across the UK
• 42 Proms appearances from the Â鶹Éç’s own orchestras and choirs
• 20 premieres, including 17 Â鶹Éç commissions and co-commissions
• 14 Proms across the UK, including residencies at Bristol Beacon and the Glasshouse International Centre for Music (Gateshead), and the first ever Prom in Mold, North Wales
• All Proms broadcast on Radio 3 and Â鶹Éç Sounds
• 24 Proms programmes on Â鶹Éç television and iPlayer
• 1,000 £8 standing Promming tickets available for every Prom at the Royal Albert Hall
• Seated tickets start from £12.20 (including all fees)

International Ensembles

The 2026 Â鶹Éç Proms presents a distinguished international line-up, welcoming 20 leading orchestras and ensembles from across the globe.

Altın Gün, Berlin Philharmonic, Choeur de Radio France, Deutsche Kammerphilharmonie Bremen, Freiburg Baroque Orchestra, Juilliard Orchestra, Jupiter Ensemble, Ladysmith Black Mambazo, Les Siècles, Los Angeles Master Chorale, Los Angeles Philharmonic, Mahler Academy Orchestra, Maîtrise de Radio France, Marcus Roberts Trio, Munich Philharmonic, Oslo Philharmonic, Spanish National Orchestra, Swedish Chamber Orchestra, Sydney Philharmonia Chorus and The Met Orchestra.

Major orchestras include:

Spanish National Orchestra

Conductor: David Afkham

Date: 19 July

The Spanish National Orchestra makes its Proms debut with a programme featuring Ravel’s Boléro and Alborada del gracioso, Falla’s The Three‑Cornered Hat Suites Nos. 1 and 2, Rodrigo’s Concierto de Aranjuez with Rafael Aguirre, and Falla’s Fantasía baetica, orchestrated by Francisco Coll.

Deutsche Kammerphilharmonie Bremen

Conductor: Omer Meir Wellber

Date: 31 July

Haydn’s Symphony No. 44, Bruch’s Violin Concerto No. 1 performed by soloist Daniel Lozakovich and Schumann’s Symphony No. 4.

Juilliard Orchestra & Royal Academy of Music Symphony Orchestra

Conductor: Esa‑Pekka Salonen

Date: 10 August

The Juilliard Orchestra and the Royal Academy of Music Symphony Orchestra join forces for Stravinsky’s Symphony in Three Movements, Bartók’s Concerto for Orchestra, and Berg’s Violin Concerto with Vilde Frang.

Los Angeles Philharmonic

Conductor: Gustavo Dudamel

Dates: 11 and 12 August

The Los Angeles Philharmonic returns to the Proms for the first time since 2002.

• Beethoven’s Symphony No. 6 and Thomas Adès’s Inferno – Dante, Part 1 (11 August)

• Beethoven’s Symphony No. 7 and the UK premiere of Gabriela Ortiz’s Revolución Diamantina, featuring the Los Angeles Master Chorale (12 August)

Swedish Chamber Orchestra

Conductor & clarinet: Martin Fröst

Date: 16 August (matinee)

World premiere of Jacob Mühlrad’s Helix, the UK premiere of Hans Ek’s DNA Suite – orchestrations of Rameau, J. S. Bach and Handel. Göran and Martin Fröst’s Nomadic Dances and Beethoven’s Symphony No. 7.

The Met Orchestra

Conductor: Yannick Nézet‑Séguin

Date: 26 and 27 August

The Met Orchestra brings two contrasting programmes to the Royal Albert Hall for its Proms debut.

• Strauss’s Ein Heldenleben and soprano Elza van den Heever performs Der Rosenkavalier Suite and the final scene from Salome (26 August)

• Saariaho’s Lumière et pesanteur, Mahler’s Rückert-Lieder and Mahler’s Symphony No. 4 with mezzo-soprano Joyce DiDonato (27 August)

Oslo Philharmonic

Conductor: Mirga Gražinytė‑Tyla

Date: 29 August

Øyvind Torvund’s Symphonic Poem No. 1: Forest Morning, Stravinsky’s Violin Concerto performed by Patricia Kopatchinskaja and Prokofiev’s Romeo and Juliet Suite.

Les Siècles

Conductor: Jakob Lehmann

Date: 30 August

Jakob Lehmann makes his Proms debut with Berlioz’s La damnation de Faust, featuring the Coeur de Radio France and La Maîtrise de Radio France and an international cast comprising John Osborn (Faust), Véronique Gens (Marguerite), Gerald Finley (Méphistophélès) and Thomas Dolié (Brander).

Berlin Philharmonic

Conductor: Kirill Petrenko

Date: 2 and 3 September

• Elgar’s Enigma Variations and Tchaikovsky’s Symphony No. 4 (2 September)

• Beethoven’s Violin Concerto performed by Augustin Hadelich and Scriabin’s Symphony No. 3 (3 September)

Munich Philharmonic

Conductor: Lahav Shani

Date: 5 September

Farrenc’s Overture No. 2, Beethoven’s Piano Concerto No. 2 with Martha Argerich and Brahms’s Symphony No. 4.

Freiburg Baroque Orchestra

Conductor: Sir Simon Rattle

Date: 7 September

Schumann’s Genoveva Overture, Violin Concerto with Isabelle Faust and Symphony No. 2.

Mahler Academy Orchestra

Conductor: Philipp von Steinaecker

Date: 11 September

The Mahler Academy Orchestra makes its UK and Â鶹Éç Proms debut with Mahler’s Symphony No. 9 performed on period instruments.

41 Orchestras and Choirs from across the UK

Homegrown creativity is at the centre of the Â鶹Éç Proms. From major symphony orchestras to period-instrument groups, youth ensembles and choirs, the Proms welcomes 41 UK-based orchestras and choirs to the Royal Albert Hall and venues across the UK.

Academy of St Martin in the Fields, Arcangelo, Aurora Orchestra, Black Dyke Band, Bournemouth Symphony Orchestra, CBSO Chorus, Choir of the Enlightenment, Chineke! Orchestra, Chorus of Royal Northern Sinfonia, City of Birmingham Symphony Orchestra, Colin Currie Group, Epiphoni Consort, Fantasia Orchestra, The Gesualdo Six, Glyndebourne Festival Opera, The Hallé, Jules Buckley Orchestra, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Chorus, London Symphony Orchestra, Monteverdi Choir, National Open Youth Orchestra, National Youth Music Theatre, National Youth Orchestra, Nu Civilisation Orchestra, Orchestra of the Age of Enlightenment, Orchestre Révolutionnaire et Romantique, Paraorchestra, Philharmonia Chorus, Philharmonia Orchestra, Royal Academy of Music Symphony Orchestra, Royal Liverpool Philharmonic Orchestra, Royal Northern Sinfonia, Royal Philharmonic Orchestra, Royal Scottish National Orchestra, Sinfonia Cymru, Sinfonia of London, Tenebrae, and Voices of the River’s Edge.

42 appearances from the Â鶹Éç’s own Orchestras and Choirs

The Â鶹Éç’s own orchestras and choirs – the Â鶹Éç Symphony Orchestra and Chorus, Â鶹Éç Concert Orchestra, Â鶹Éç Philharmonic Orchestra, Â鶹Éç Scottish Symphony Orchestra, Â鶹Éç National Orchestra & Chorus of Wales and Â鶹Éç Singers – are at the heart of the season.

Â鶹Éç Symphony Orchestra: First Night of the Proms (17 July), Mahler’s Symphony No. 6 (22 July), Sibelius’s Symphony No. 2 (28 July), Kavakos Plays Tchaikovsky (2 August), Rossini’s Stabat mater (7 August), Gershwin’s Piano Concerto (13 August), Shostakovich’s Symphony No. 10 (18 August), Capuçon Plays Dvořák’s Cello Concerto (23 August), Altın Gün (28 August), Rachmaninov’s Piano Concerto No. 3 (1 September), Dvořák’s Symphony No. 9 (6 September) and the Last Night of the Proms (12 September)

Â鶹Éç Symphony Chorus: First Night of the Proms (17 July), Rossini’s Stabat mater (7 August), Pappano conducts Berlioz’s Requiem (Grande Messe des morts) (15 August) and the Last Night of the Proms (12 September)

Â鶹Éç Concert Orchestra: Prog Rock (18 July), Marvin Gaye (14 August), Miles Davis Centenary (20 August), Bond and Beyond (25 August) and Â鶹Éç Young Composer (30 August)

Â鶹Éç Philharmonic Orchestra: Beethoven’s Symphony No. 9 (20 July), Strauss’s Also sprach Zarathustra (21 July), Mahler’s Das Lied von der Erde (21 August) and Alan Menken’s Music for Disney (31 August)

Â鶹Éç Scottish Symphony Orchestra: Elgar’s Symphony No. 1 (29 July), Korngold’s Violin Concerto (30 July), Rachmaninov, Bartók and Varèse (8 September) and Strauss’s Four Last Songs (9 September)

Â鶹Éç National Orchestra of Wales: Afterlife: Visions of the Beyond (23 July), Horrible Science: The Big Bang Proms Experiment (25 July, two performances: matinee and evening), Dvořák and Mendelssohn (4 August), Relaxed Prom (9 August, Bristol Beacon) and Copland and Stravinsky (17 August)

Â鶹Éç Singers: First Night of the Proms (17 July), Choirs on the Concourse (25 July, Proms Gateshead), Judith Weir’s Moon and Star (29 July), Relaxed Prom (9 August), Evelyn Glennie and the Fantasia Orchestra (11 August) and Last Night of the Proms (12 September)

Soloists and Conductors

Soloists include:

• Louise Alder (soprano)
• Martha Argerich (piano)
• Angel Blue (soprano)
• Joyce DiDonato (mezzo-soprano)
• Vilde Frang (violin)
• Kirill Gerstein (piano)
• Evelyn Glennie (percussion)
• Augustin Hadelich (violin)
• Sheku Kanneh-Mason (cello)
• Leonidas Kavakos (violin)
• Felix Klieser (French horn)
• Patricia Kopatchinskaja (violin)
• Yunchan Lim (piano)
• Natalya Romaniw (soprano)
• Abel Selaocoe (cello)
• Nicky Spence (tenor)
• Yuja Wang (piano)

Conductors include:

• Marin Alsop
• Ryan Bancroft
• Jules Buckley
• Gustavo Dudamel
• Sir Mark Elder
• Edward Gardner
• Mirga GražinytÄ—-Tyla
• Jakub Hrůša
• Yannick Nézet Séguin
• Sakari Oramo
• Sir Antonio Pappano
• Kirill Petrenko
• Vasily Petrenko
• Sir Simon Rattle
• Esa-Pekka Salonen
• Dalia Stasevska
• John StorgÃ¥rds
• Ryan Wigglesworth
• John Wilson

Operas and Large-scale Choral Proms

• Beethoven: Symphony No. 9 – Soprano Leah Hawkins, mezzo-soprano Stephanie Wake-Edwards, tenor Martin Muehle and bass Derek Welton join the Philharmonia Chorus and the Â鶹Éç Philharmonic Orchestra, conducted by Gianandrea Noseda (20 July)
• Weber: Oberon – Sir Mark Elder conducts the Monteverdi Choir and a cast including Nicky Spence as King Oberon and Jennifer Davis as Reiza in a semi‑staged performance of Weber’s final opera, presented in its 200th-anniversary year (6 August)
• Rossini: Stabat mater – Soprano Federica Lombardi, mezzo‑soprano Chiara Amarù, tenor René Barbera and bass Nicola Ulivieri perform with the Epiphoni Consort, the Â鶹Éç Symphony Chorus and the Â鶹Éç Symphony Orchestra, conducted by Nil Venditti (7 August)
• Haydn: Mass in D minor, ‘Nelson Mass’ – The Orchestra and Choir of the Age of Enlightenment perform with soprano Erin Morley, mezzo-soprano Helen Charlston, tenor Guy Cutting and bass William Thomas, conducted by Peter Whelan (9 August)
• Berlioz: Requiem (Grande Messe des morts) – Sir Antonio Pappano conducts the Â鶹Éç Symphony Chorus and the London Symphony Orchestra and Chorus, and tenor Julien Henric (15 August)
• Strauss: Ariadne auf Naxos– Fresh from the Glyndebourne Festival, Strauss’s Ariadne auf Naxos receives its first complete Proms performance in almost 50 years. Robin Ticciati conducts a cast including Rachel Willis-Sørensen, David Butt Philip, Alina Wunderlin, Mikhail Timoshenko and Caspar Singh (19 August)
• Strauss programme – The Met Orchestra makes its Proms debut with Yannick Nézet‑Séguin, joined by soprano Elza van den Heever for a programme featuring Strauss's Der Rosenkavalier Suite, Ein Heldenleben and the final scene from Salome (26 August)
• Berlioz: La damnation de Faust – Jakob Lehmann and Les Siècles bring a concert performance with John Osborn, Gerald Finley and Véronique Gens, joined by the Coeur de Radio France and La Maîtrise de Radio France (30 August)
• Bach: Mass in B minor – Sopranos Jeanine De Bique and Eva Zaïcik, counter‑tenor Hugh Cutting, tenor Nick Pritchard and bass‑baritone Florian Störtz join Arcangelo and Music Director Jonathan Cohen (10 September)

20 Premieres including 17 Â鶹Éç Commissions

The Â鶹Éç continues to be the UK’s largest commissioner of new music. This year the festival will feature 12 world, one European and seven UK premieres, including 17 works commissioned or co-commissioned by the Â鶹Éç.

12 World Premieres

• Josephine Stephenson: new work, Â鶹Éç commission, c. 8’ (17 July, First Night of the Proms)
• Brett Dean: The World’s Wife, Â鶹Éç co-commission, c. 20’ (29 July)
• Dani Howard: Concerto for Brass Section, ‘SIGNAL’, Â鶹Éç co-commission, c. 18’ (2 August)
• Héloïse Werner: The Wood Pigeon, Â鶹Éç commission, c. 5’ (11 August, Late Night)
• Jacob Mühlrad: Helix, Â鶹Éç co-commission, c. 5’ (16 August)
• Edmund Thornton Jenkins, reconstructed & arranged by Tuffus Zimbabwe: Dance Suite, c. 15’ (22 August)
• Thea Musgrave: Out of the Darkness – Bassoon Concerto, Â鶹Éç commission, c. 12’ (23 August)
• Carmel Smickersgill: A Brick Thrown with Love, Â鶹Éç co-commission, c. 10’ (4 September)
• Gwilym Simcock: Triple Concerto for Soprano Saxophone, Horn and Cello, Â鶹Éç co-commission, c. 20’ (6 September)
• Details will be shared closer to the time for three Â鶹Éç commissioned world premieres: one in Mold at two at the Last Night of the Proms

One European premiere

• Gabriel Kahane: Clarinet Concerto, ‘If love will not swing wide the gates’, performed by Anthony McGill, Â鶹Éç co-commission, c. 22’ (17 August)

Seven UK Premieres

• Jessie Montgomery: These Righteous Paths – Concerto for Cello and Orchestra, Â鶹Éç co-commission, c. 20’ (20 July)
• Betsy Jolas: Tales of a Summer Sea, c. 15’ (21 July)
• Mark-Anthony Turnage: Festen Suite, Â鶹Éç co-commission, c. 21’ (28 July)
• Gabriela Ortiz: Revolución diamantina, c. 42’ (12 August)
• Wynton Marsalis: Concerto for Orchestra,Â鶹Éç co-commission, c. 36’ (13 August)
• Édith Canat de Chizy: Skyline (Concerto for three percussionists, timpani and orchestra), Â鶹Éç co-commission, c. 20’ (18 August)
• Kristine Tjøgersen: Between Trees, c. 15’ (27 July)

Genre-Crossing Proms – Jazz, Film, and Family

• Prog Rock: A Fanfare for the Common Man – Robert Ames conducts the Â鶹Éç Concert Orchestra in symphonic tributes to ELP, Genesis, Jethro Tull, Mike Oldfield, Renaissance and more. Presented by Â鶹Éç Radio 6 Music’s Stuart Maconie (18 July)
• Horrible Science: The Big Bang Proms Experiment – After the success of the 2023 Horrible Histories Prom, the Â鶹Éç National Orchestra of Wales and Karen Ní Bhroin join the Horrible Science team for a science‑packed orchestral adventure featuring scientists Einstein and Curie, and the orchestral sounds of Holst and John Williams. Horrible Science from Â鶹Éç Children’s and Education is the latest creation from the brand behind Horrible Histories (25 July, matinee and evening)
• Under African Skies: The Songs of Graceland – A Prom marking the 40th anniversary of Paul Simon’sthe landmark album, featuring five‑time Grammy Award‑winners Ladysmith Black Mambazo and the Nu Civilisation Orchestra under director Peter Edwards (5 August, Late Night)
• Marvin Gaye: Prince of Soul – Edwin Outwater conducts the Â鶹Éç Concert Orchestra in a celebration of Gaye’s legacy (14 August)
• Miles Davis Centenary –American jazz trumpeter Ambrose Akinmusire joins the Â鶹Éç Concert Orchestra and Miho Hazama for a tribute marking 100 years since Davis’s birth (20 August, and broadcast on Â鶹Éç TV and Â鶹Éç iPlayer)
• Bond and Beyond – Daniel Bartholomew-Poyser conducts the Â鶹Éç Concert Orchestra in iconic music from the James Bond films, with special guests to be announced (25 August, and broadcast on Â鶹Éç TV and Â鶹Éç iPlayer)
• Ultimate Calm – Radio 3’s Ultimate Calm makes its Proms debut in a Late Night Prom curated byErland Cooper, blending classical, ambient and electronic sound worlds (27 August, Late Night)
• Altın Gün – Jules Buckley and the Â鶹Éç Symphony Orchestra collaborate with the Grammy Award-nominated Turkish psych-folk band for their Proms debut, with special guest German-Turkish singer Derya Yıldırım (28 August)
• Enchanted: Alan Menken’s Music for Disney – The Â鶹Éç Philharmonic Orchestra performs a celebration of the American composer and EGOT winner’s beloved scores, with special guests as well as performances from the National Youth Music Theatre. Conductor to be announced (31 August)
• Relaxed Prom at the Royal Albert Hall – Â鶹Éç Singers, Fantasia Orchestra and conductor Tom Fetherstonhaugh present a transatlantic-themed Relaxed Prom to mark the 250th anniversary of America’s Declaration of Independence (9 August, matinee)
• Relaxed Prom at Bristol Beacon – The National Open Youth Orchestra – the world’s first disabled-led national youth ensemble – and members of the Â鶹Éç National Orchestra of Wales perform a Prom in a Relaxed setting designed designed to be particularly welcoming to children and those with additional needs. The concert features Michael Betteridge’s concerto for Clarion, an app than transforms a tablet computer into a musical instrument, performed by Alessandro Vazzana, as well as Charlotte Harding’s The Orchestra: A Young Person’s Guide (9 August, Bristol Beacon, matinee)
• Â鶹Éç Young Composer – The Â鶹Éç Concert Orchestra under Tess Jackson performs new works by the six winners of the 2025 Â鶹Éç Young Composer competition. Â鶹Éç Young Composer aims to nurture and develop the next generation of young composers, creating opportunities and resources for 12- to 18-year-olds across the UK who make their own original music. It holds a nationwide competition every two years (30 August, matinee)

Composer Anniversaries and Focuses 

The 2026 Â鶹Éç Proms season shines a spotlight on major composer anniversaries, celebrating the legacies of those who have shaped musical history.

Benjamin Britten

The Â鶹Éç Proms marks 50 years since the death of Benjamin Britten. The anniversary is honoured through a series of landmark performances showcasing the breadth and enduring influence of one of Britain’s most significant composers.

• Guy Johnston performs the Cello Symphony with Sakari Oramo and the Â鶹Éç Symphony Orchestra (28 July)
• Simple Symphony with the Academy of St Martin in the Fields and director Benjamin Marquise Gilmore (23 August)
• Violin Concerto with Simone Lamsma, the Royal Liverpool Philharmonic Orchestra and Andrew Manze (4 September)
• John Wilson and the Sinfonia of London perform two of Britten’s early works, Les illuminations and Variations on a Theme of Frank Bridge (6 September, matinee)
• Britten's iconic showpiece, The Young Person’s Guide to the Orchestra, is performed by the Â鶹Éç Symphony Orchestra, conducted by Sakari Oramo (6 September) 

Steve Reich

American composer and pioneer of Minimalism Steve Reich turns 90 this year, and to mark the occasion, the Â鶹Éç Proms presents concerts at the Royal Albert Hall and at Bristol Beacon.

• Steve Reich at 90,Music for 18 Musicians –When it was first performed 50 years ago, this work made Reich a household name and propelled Minimalism into the mainstream. Paraorchestra, the bold collective of disabled and non-disabled musicians, presents an immersive take on Steve Reich’s Music for 18 Musicians. In this performance, musicians will be placed on plinths throughout Beacon Hall to dissolve the boundary between audience and ensemble (7 August, Bristol Beacon)
• Steve Reich at 90, Late Night Prom – The Gesualdo Six offers Renaissance choral meditations by Hildegard of Bingen, Machaut, Josquin and Pérotin, conducted by Owain Park, and Colin Currie conducts his eponymous Group in Reich’s ecstatic and moving Tehillim (2 September, Late Night)

Centenary Celebrations

The Â鶹Éç Proms marks 100 years since the birth of composers John Coltrane, Miles Davis, Morton Feldman, Betsy Jolas, György Kurtag, Hans Werner Henze and 100 years since the death of Edmund Thornton Jenkins. Their anniversaries are honoured throughout the season.

• Betsy Jolas – The Â鶹Éç Philharmonic Orchestra and conductor John StorgÃ¥rds celebrate the 100th anniversary of composer Betsy Jolas with the UK premiere of her 1977 orchestral piece Tales of a Summer Sea (21 July)
• György Kurtág – The Â鶹Éç Proms marks the 100th anniversary of György Kurtág with the Â鶹Éç Symphony Orchestra and conductor Sakari Oramo giving a rare performance of his orchestral elegy Stele (22 July), and Oramo appears again – this time as violinist – alongside soprano Anu Komsi, to perform Kurtág’s Kafka Fragments (9 August, Bristol Beacon)
• Morton Feldman – The Royal Northern Sinfonia’s Music Director Dinis Sousa is joined by principal musicians Jude Carlton and Helena Gourd for Feldman’s Crippled Symmetry, scored for flutes, percussion and piano/celesta (24 July, Gateshead)
• John Coltrane – A special edition of Radio 3’s ’Round Midnight features a tribute to John Coltrane’s 1965 album A Love Supreme (8 August, Bristol Beacon)
• Miles Davis – The Â鶹Éç Concert Orchestra celebrates the legendary trumpeter, bandleader and composer with a special Prom featuring trumpeter Ambrose Akinmusire, conducted by Miho Hazama (20 August)
• Edmund Thornton Jenkins – The Chineke! Orchestra and conductor Jonathon Heyward give the world premiere of a new suite reconstructed by Tuffus Zimbabwe, drawn from music for Jenkins’s unfinished ballet (22 August)
• Hans Werner Henze – The Â鶹Éç Scottish Symphony Orchestra and conductor PaweÅ‚ KapuÅ‚a perform Henze’s Erlkönig (9 September)

Proms Across the UK

Gateshead

23 – 25 July, The Glasshouse International Centre for Music

The fourth Proms residency at the Glasshouse International Centre for Music includes:

• Â鶹Éç Introducing from The Glasshouse: Live at the Proms – Emerging and independent artists from the North-East and beyond, presented by Shakk (23 July, Sage Two)
• Crippled Symmetry – Feldman’s Crippled Symmetry, with Royal Northern Sinfonia’s Music Director Dinis Sousa on piano/celesta, joined by flautist Helena Gourd and percussionist Jude Carlton (24 July, Sage Two)
• Nadine Shah and Royal Northern Sinfonia – South Tyneside-born indie-rock singer-songwriter Nadine Shah collaborates with the Royal Northern Sinfonia (24 July, Concourse)
• Choirs on the Concourse – The Â鶹Éç Singers, Voices of the River’s Edge and the Chorus of Royal Northern Sinfonia, with soloist Jess Gillam, perform Tavener’s Song for Athene and selections from Parry’s Songs of Farewell (25 July)

Middlesbrough

23 July, Middlesbrough Town Hall

The Unthanks join Royal Northern Sinfonia and conductor Ellie Slorach for a concert of songs shaped by the North – reimagined with bold, cinematic arrangements. With special guests to be announced. 

Sunderland

25 July, The Fire Station

Violinist Maria Włoszczowska directs the Royal Northern Sinfonia in Bacewicz’s Divertimento, Mendelssohn’s Concerto for Violin, Piano and Strings featuring pianist Christian Ihle Hadland, and Mozart’s Symphony No. 39.

Bristol

7 – 9 August, Bristol Beacon

The Proms returns to Bristol Beacon for a third consecutive year with six performances.

• Steve Reich at 90 – with Paraorchestra and director Charles Hazlewood (7 August, Beacon Hall)
• Russian Classics – The Bournemouth Symphony Orchestra in an evening with conductor Adam Hickox and cellist Maximilian Hornung (8 August, Beacon Hall)
• ’Round Midnight – A live edition of Radio 3’s acclaimed late‑night jazz show features John Coltrane’s music (8 August, Lantern Hall)
• Relaxed Prom – A Relaxed Prom with the National Open Youth Orchestra and players from the Â鶹Éç National Orchestra of Wales (9 August)
• Path of Miracles – Nigel Short’s Tenebrae performing Joby Talbot’s Path of Miracles (9 August, St George’s Bristol)
• Kafka Fragments – Sakari Oramo (violin) and soprano Anu Komsi perform Kurtag’s Kafka Fragmentsas part of the composer’s 100th anniversary celebrations (9 August, Lantern Hall, matinee)

Mold

29 August, Theatre Clwyd

Words and Music – Sinfonia Cymru and conductor Iwan Davies present an afternoon of words and music, inspired by The Mabinogion – a collection of early Welsh prose stories compiled from oral traditions in the 12th and13th centuries, offering myths, folklore, and Arthurian legends.

Â鶹Éç Young Composer Workshops  

Free Â鶹Éç Young Composer workshops take place in Bristol, Middlesbrough and Mold, designed for 12–18-year-olds of all musical abilities, interested in any style or genre. The workshops offer the opportunity to create, collaborate and hone music making skills with support from experienced composers and musicians.

How to watch and listen to the 2026 Â鶹Éç Proms

All Proms are broadcast on Â鶹Éç Radio 3 and Â鶹Éç Sounds. Television will be broadcasting 24 Proms programmes across Â鶹Éç One, Â鶹Éç Two, Â鶹Éç Four and Â鶹Éç iPlayer.

The line-up of presenters this year includes Katie Derham, Nick Mohammed, Georgia Mann, Petroc Trelawny and Clive Myrie.

TV Proms

A selection of Proms and themed highlight programmes from the 2026 season will be broadcast on Â鶹Éç TV and iPlayer, including:

• First Night of the Proms
• American Classics
• An Evening of Strauss from The Met
• Â鶹Éç Phil at the Proms
• Beethoven’s Seventh by LA Phil
• Boléro at the Proms
• Bond and Beyond
• Celebrating Marvin Gaye: Prince of Soul
• Elgar’s Enigma Variations & Tchaikovsky’s Fourth
• Elgar’s First
• Enchanted: Alan Menken’s Music for Disney
• Felix Klieser plays Mozart
• Horrible Science: The Big Bang Proms Experiment
• Martha Argerich at the Proms
• Miles Davis Centenary
• Modern Classics at the Proms
• New World Symphony at the Proms
• NYO at the Proms
• Respighi’s Roman Trilogy
• Sibelius’s Violin Concerto at the Proms
• Space Film Music at the Proms
• Under African Skies: The Songs of Graceland
• Unmissable Moments
• Last Night of the Proms Part 1 & Finale

Meet The Â鶹Éç Proms 2026 Presenters

Katie Derham

What captures the magic of the Proms experience?

Being in the spectacular surroundings of the Royal Albert Hall with a friendly, utterly attentive audience and enjoying the finest performers in the world. There’s nothing like it.

What do you think audiences will take away from this year’s Proms?

Audiences will be stunned, as always, by the sheer variety, quality and quantity of music-making, and by the relaxed way they can enjoy it.

Are there any premieres, rediscoveries or artists you’re especially looking forward to this year?

A couple of singers particularly catch my eye: Louise Alder singing Canteloube’s Songs of the Auvergne – my mother's favourite – and Joyce DiDonato singing Mahler’s Rückert-Lieder. Both will break your heart.

Which unexpected collaborations or cross genre Proms do you think will surprise audiences?

I’m looking forward to seeing new audiences in the hall for the celebrations of Marvin Gaye, Miles Davies and Paul Simon's Graceland.

What moments do you think will resonate with first time Prom audiences?

For first-time Prommers with children (of any age!) you can’t go wrong with the Disney Prom, or the Bond and Beyond Prom. I’d also recommend seeing the stage and hall absolutely packed for Beethoven’s Ninth.

For long time Prommers, what should they look out for that feels fresh or surprising?

I’d get along to Martin Fröst and the Swedish Chamber Orchestra for Sunday-morning Baroque; he is mesmeric. I’m also excited to hear some new works – I’ll be checking out Héloïse Werner’s premiere with Evelyn Glennie and the young Fantasia Orchestra, and Wynton Marsalis’s new Concerto for Orchestra.

Describe the season in three words.

Joyful, surprising, excellent.

Nick Mohammed

What captures the magic of the Proms experience?

It’s the sheer joy of getting to see and hear the world’s best orchestras playing the world’s greatest music in one of London’s most iconic venues.

The Proms feels like a part of music history that we get to enjoy every year.

What do you think audiences will take away from this year’s Proms?

This is arguably true of every Proms season, but I always think it’s the variety of what’s on offer. There is quite literally something for all music-lovers this year, whether you’re a Proms aficionado or it’s your first time.

Are there any premieres, rediscoveries or artists you’re especially looking forward to this year?

I think any time there’s a premiere of new writing – whether that’s a world, European or UK premiere – it’s just terrifically exciting. I love how they’re often paired with a real classic in the first half, so it makes for such a brilliantly dynamic and varied programme.

Which unexpected collaborations or cross genre Proms do you think will surprise audiences?

I love that there’s a Horrible Science Prom this year. And I of course loved The Traitors Prom last year. The Aurora Orchestra also continue to innovate, and they will be performing Mahler’s First Symphony this year from memory, which is a joy to listen to and also feels like you’re watching a magic trick.

What moments do you think will resonate with first time Prom audiences?

It’s the sheer breadth of programming and what’s on offer across the whole season. There’s something for everyone this season.

For long time Prommers, what should they look out for that feels fresh or surprising?

Any of the premieres, of course. But also expect some refreshing takes on big classics. There’s also plenty of Mahler this Proms season (Symphonies 1, 4, 6 and 9) for those who really want to sink their teeth into something a bit more intense.

Describe the season in three words.

Extraordinary, inclusive, world-class (I know that’s technically four, but you know…!)

Ticketing and Access

General Booking Information:

• General booking for all Â鶹Éç Proms concerts at the Royal Albert Hall opens from 9am on Saturday 16 May
• Tickets for events Across the UK open from 10am on on Tuesday 21 April
• Tickets for Horrible Science and Relaxed Proms open from 9am on Friday 15 May
• Seated tickets start at from £12.20 (including all fees)

Promming Tickets

Promming Tickets remain at £8 (including all fees) and over 70,000 are available across the season at the Royal Albert Hall

For each concert at the Royal Albert Hall there are around 1,000 standing places in the Arena and Gallery. For most concerts you can book up to two tickets online from 9.30am on the day of the concert. A limited number of seats either at the back of the Arena or in the Choir or Gallery are available for those Prommers who are unable to stand for an entire concert. These seats can be booked online at royalalberthall.com

£8 ‘Promming' tickets are available for Proms Across the UK (check local venue for details)

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