In the second of their two Proms, the Los Angeles Philharmonic and its Music Director Gustavo Dudamel pair Beethoven’s dance-infused Symphony No. 7 with a contemporary ballet by Mexican composer Gabriela Ortiz
In the second of their two Proms, the Los Angeles Philharmonic and its Music Director Gustavo Dudamel pair Beethoven’s dance-infused Symphony No. 7 with a contemporary ballet by Mexican composer Gabriela Ortiz
Alena Baeva plays Tchaikovsky’s Violin Concerto, and Nil Venditti brings a very personal perspective to Falla’s fiesta of a ballet.
Alena Baeva plays Tchaikovsky’s Violin Concerto, and Nil Venditti brings a very personal perspective to Falla’s fiesta of a ballet.
Mozart’s sparkling Horn Concerto No. 4 meets the majesty of Mendelssohn’s Fingal’s Cave and sunshine-drenched world of his ‘Reformation’ Symphony.
Mozart’s sparkling Horn Concerto No. 4 meets the majesty of Mendelssohn’s Fingal’s Cave and sunshine-drenched world of his ‘Reformation’ Symphony.
City energy and sun‑drenched dance meet under Carlos Miguel Prieto. Gabriela Ortiz’s TZAM opens with dialogue and reflection, Ethan Loch brings Gershwin’s Rhapsody in Blue to life, and de Falla’s The Three‑Cornered Hat closes in brilliant Spanish colour.
City energy and sun‑drenched dance meet under Carlos Miguel Prieto. Gabriela Ortiz’s TZAM opens with dialogue and reflection, Ethan Loch brings Gershwin’s Rhapsody in Blue to life, and de Falla’s The Three‑Cornered Hat closes in brilliant Spanish colour.
City energy and sun‑drenched dance meet under Carlos Miguel Prieto. Gabriela Ortiz’s TZAM opens with dialogue and reflection, Ethan Loch brings Gershwin’s Rhapsody in Blue to life, and de Falla’s The Three‑Cornered Hat closes in brilliant Spanish colour.
City energy and sun‑drenched dance meet under Carlos Miguel Prieto. Gabriela Ortiz’s TZAM opens with dialogue and reflection, Ethan Loch brings Gershwin’s Rhapsody in Blue to life, and de Falla’s The Three‑Cornered Hat closes in brilliant Spanish colour.