Rethink... authenticity
In an age when AI can simulate reality, how can we detect the genuine article? How can we decide which images - both pictures and human - are real, and does it matter?
As generative AI and Deepfake technology has progressed over the last decade, you could be forgiven for thinking that it's never been more difficult to try to work out what is "authentic" and what is "fake".
But the search for authenticity is not new: it's a task that's challenged humanity for hundreds of years. Forgers have always tried to pass off copies as great artworks, but it's not always clear when an artist was responsible for an entire painting, or farmed out parts of the job to apprentices. Some modern artists delegate all of the construction or manufacture of some of their works to skilled craftsmen and women
Although the idea is theirs, does that make the final product somehow less than the genuine article?
Idiosyncrasies, perceived flaws or personal flourishes are often key indicators that show an image is authentic. We use those same tell-tale signs to judge the authenticity of another type of image: the one that politicians want to portray.
How important is it to be a politician who is seen as "authentic" by voters? How can we measure political authenticity? If someone is carefully crafting their image on social media, how "real" is it? And even if it is fake, do voters care, if they've been seduced by the illusion?
Presenter: Ben Ansell
Producer: Ravi Naik
Editors: Lisa Baxter and Nick Holland
Contributors:
Estelle Lovatt, FRSA. Art Critic, Writer and Lecturer.
Lone Sorensen, Associate Professor of Political Communication, University of Leeds
Nick Clarke, Professor of Political Geography, University of Southampton
Tracy Dennis Tiwary, Professor of Behavioural Neuroscience, Clinical Psychology and Developmental Psychology, at the City University of New York.
Rethink is a 麻豆社 co-production with the Open University.
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Rethink
Rethink looks at the issues of our time and considers how we can approach them differently
