The Three Giovannis
Donald Macleod examines how the dominance of the Venetian School faded and explores the music of 3 different men called Giovanni, all employed by St Mark’s at around this time.
By the beginning of the 16th century, Venice was in commercial decline, and the financial clout of the first and longest-lived of the European Empires was fading. However, just as the Republic’s political power was starting to ebb, artistic and cultural life began to flourish as never before. Venice became the centre of the cultural world. Over the course of this week, Donald Macleod explores this extraordinary period when music flourished throughout Venice’s streets and in the churches, palaces and public buildings which had sprung up all across the city, and the composers whose work came to define the age – the Venetian School.
In Friday’s show, Donald explores the final years of dominance for the Venetian School and the music of the 3 different men called Giovanni employed by St Mark’s at this time: Giovanni Gabrieli, Giovanni Bassano and Giovanni Croce. He also sees how the myth of Venice herself played an important role in the Republic’s musical scene, and discovers how a new Pope in Rome caused a rift with Venice and saw the music standards of the most serene Republic begin to decline.
Giovanni Gabrieli
Sonata XX a 22
Taverner Players
Andrew Parrott, conductor
Giovanni Croce
Quaeramus cum pastoribus
Voces Suaves
Concerto Scirocco
Giulia Genini, director
Giovanni Bassano
Tota pulchra es
La Guilde des Mercenaires
Adrien Mabire, director
Giovanni Gabrieli
Kyrie
Ex Cathedra
His Majesty’s Sagbutts and Cornetts
Concerto Palatino
Jeffrey Skidmore, director
Giovanni Gabrieli
O quam suavis
London Oratory Schola Cantorum
Charles Cole, director
Giulio Cesare Martinengo
Regum Mundi
Ensemble Prima Toni
Nicola Lamon, director
Giovanni Gabrieli
Litaniae Beatae Mariae Virginis (a 8), C63
Choir of King’s College Cambridge
Stephen Cleonbury, director
On radio
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Broadcast
- Fri 9 Oct 2026 16:00Âé¶¹Éç Radio 3
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