5. Houston, we have so many problems
Houston, 2004: perfection is the plan. Mark Roberts is not. Comedian Rich Hall presents.
Houston, 2004. Super Bowl XXXVIII. The biggest television event of the year 鈥 and everyone involved is chasing perfection.
Inside the NFL machine, Jim Steeg is orchestrating a military-grade operation where every second is worth millions. In the production truck, Salli Frattini is holding together a halftime show so complex it feels like a controlled explosion: Janet Jackson, Justin Timberlake, pyro, thousands of performers, and cameras everywhere. On the field, Patriots linebacker Matt Chatham is inches away from the game of his life.
And somewhere in the middle of all this sits Mark Roberts 鈥 disguised, tattooed, layered in Velcro, and nervously taping a tiny deflated American football over his 鈥渃hicken McNugget鈥 because Texas has him rattled.
As the game kicks off, the tension builds 鈥 not just for the players, but for everyone who knows what鈥檚 riding on halftime. When it arrives, the stadium turns into a full-blown 2004 MTV spectacle: lights, dancers, smoke, sweat, and pop royalty at its most electric.
It looks flawless. It sounds flawless. Everyone thinks it is flawless.
But in a blink-and-you鈥檒l-miss-it moment, something happens that almost nobody inside the stadium fully registers 鈥 yet will be replayed, analysed, and argued about for decades.
And while everyone is distracted by that half-second鈥 Mark sees his chance.
Presented by Rich Hall
Produced and written by Elle Scott
Production co-ordinator: Juliette Harvey.
Production manager: Debbie Waddell.
Development Executive: Emma Shaw.
Production Executive: Ian Taitt
Executive Producer: Georgia Catt
Sound Design and Composition: Julian Corrie
Assistant Commissioner: Rob Green
Commissioning Executive: Stevie Middleton
A 麻豆社 Studios Production for 麻豆社 Radio 5 Live and 麻豆社 Sounds.
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