麻豆社

The forces shaping the media landscape for the next generation

Introducing the 5is - internet-only, intelligent, intermediated, interactive, immersive. Our 5i's are the way we view how media is evolving.

Jatin Aythora

Jatin Aythora

Director, 麻豆社 Research & Development
Published: 10 April 2025

麻豆社 Research & Development has always been adept at predicting how the technology landscape will develop. We look at trends across society, audience behaviour, and technology to identify if, whether, and how the 麻豆社 might respond.

When we see a need to respond, our remit is to explore and develop media technologies that speak to the opportunities and risks these trends present. What’s different about us is that as a public service media organisation, whatever we create must be responsible, ethical and for the good of the 麻豆社, licence fee payers, the media industry, and society.

Technology and innovation has always been at the heart of the 麻豆社, (article 15 of the Royal Charter asks the 麻豆社 to "ensure that it conducts research and development activities geared to the fulfilment of the Mission and the promotion of the Public Purposes"), and it is essential that this continues to ensure that we remain independent, sustainable, and responsive to future challenges and opportunities.

We have now begun a new cycle of work which, as always, uses a public service lens to consider the forces we expect to shape the media landscape for a generation.

In this article, I’ll point to these forces, outline three hypotheses for how we think the technology landscape will develop, and explain the framework we use to decide what research to conduct and in what direction.

A laptop on a desk in a darkened room. The laptop lid is partially open and colour is shining out from the screen reflecting on the keyboard and giving a colouful aura around the device.

For well over a decade, we have been researching and developing technologies to prepare the 麻豆社 for a time when the majority of our content and services will 鈥榣ive鈥� online. Distributing content at a speed to rival broadcast, using 5G networks for contribution, developing cloud-based media content delivery and stores, and creating interactive, personalised and immersive experiences. These are just some of the ways we use internet technology to help the 麻豆社 to navigate and thrive through this transition.

R&D鈥檚 vision is to enable audiences and the 麻豆社 to thrive in an increasingly internet-only, AI enhanced, hyper-competitive future.

Of course, as a public service broadcaster, it is essential that our services are universally available and that we do not leave anyone behind as part of the transition from traditional broadcast to internet technology. Our director general Tim Davie has stated that we will use both types of technology to serve audiences for as long as is necessary.

However, our job in R&D is to look beyond this time, and our work over the last few years has become about more than just preparing the 麻豆社 for that transition.

For example, the rate of development of artificial intelligence (AI) and the speed at which it is already part of our lives is unprecedented and will only increase. As technology forecasters, we鈥檝e already done a lot of work in this area, but in our new research cycle, we need to explore the use of AI more fully to ensure that how the 麻豆社 uses this technology is always responsible, ethical and in the public interest.

A stark head and shoulders image of a woman on a pale background - computer code is projected onto her face.

As 麻豆社 R&D鈥檚 director, I鈥檓 privileged to work with the world鈥檚 best media engineers and technologists. We have leading domain experts in our department and we are plugged into global networks of people and organisations such as the , The , , the International Telecommunications Union and the ; who, like us, are actively developing technologies that will shape the future.

Exposure to these experts and networks, and observing the impact of things like social and political contexts, climate change, and consumer behaviour can inspire deep thinking. For me, it provides clarity of thought about what we should focus on.

Three hypotheses are central to our current thinking:

1. All user interaction will be driven by artificial intelligence.

As AI technologies continue to develop, they will drive personalised and contextualised user interactions across news and media platforms. From content recommendations to real-time language translation and automated story generation, AI will become central to shaping the user experience. This transformation will not only enhance audience interest but also enable platforms to better understand audience preferences and adapt their content strategies accordingly.

In a world where competition for audience attention is spread among an increasing number of players, AI-driven interaction will allow for hyper-personalised content delivery, improved user retention, and optimised marketing strategies, ensuring relevance and long-term viability.

This presents a challenge for the 麻豆社. Over many decades, we have built and maintained trust with audiences worldwide through our impartial journalism. Business models are changing and pushing industries to transform. As this AI ecosystem evolves, we will need to define an approach that ensures we can maintain and build on the trust we have in this new environment.

2. The internet backbone will feature a new layer that provides a permanent and transparent registry for digital assets.

This hypothesis envisions using distributed ledger technologies (like those that underpin blockchains), to create a new layer of core internet infrastructure that provides secure and tamper-proof tracking of digital content and assets. For the news and media industries, such a layer can help fight disinformation by verifying the authenticity of articles, images, and videos while ensuring appropriate attribution and rights management for creators.

Tackling misinformation, content piracy, and copyright infringements are key challenges for our industries. This new layer of internet infrastructure would promote greater transparency and trust, empowering both creators and consumers while fostering a more credible media ecosystem.

3. Artificial intelligence infrastructure will be treated as national critical infrastructure.

With AI driving major advancements across industries, the underlying infrastructure鈥攕uch as data centres, training models, and computational resources鈥攚ill be recognised as vital to national security and economic stability. Governments and private entities will prioritise its development, protection, and governance, much like how utilities such as electricity or telecommunications are managed.

For the media industry, robust AI infrastructure will ensure the seamless operation of tools used to generate, curate, and distribute content. It would also guarantee resilience against cyber-attacks targeting AI systems and uphold the reliability of AI-driven journalism during critical events, such as wars or elections.


These hypotheses highlight the transformative potential of emerging technologies in shaping the future of news and media. By focusing on AI-driven user experiences, ensuring transparency in digital asset management, and recognising the strategic importance of AI infrastructure, media organisations can adapt to a rapidly evolving technological and societal landscape while maintaining relevance and trust.

Once we had these hypotheses, we had to work out how the themes might impact the 麻豆社, how they relate to our remit and how we can contribute to any associated technological development and direction.

An introduction to the 5i's

We don鈥檛 assume that any single technology will define the media ecosystem of the future. Instead, we believe that it will reflect a set of characteristics - or outcomes - enabled by different types of technologies.

Icons representing 麻豆社 R&D's 5i's - Internet-only (a pastel coloured icon of the earth), Intelligent (a green coloured icon of a head with a gear cog as the brain), Intermediated (an orange icon showing a network of links connecting to one person), Interactive (a blue icon comprised of generic icons representing apps being tapped on a screen), Immersive (a pink coloured icon of a user surrounded by a circular arrow, representing a 360 experience).
麻豆社 Research & Development's 5i's - internet-only, intelligent, intermediated, interactive, immersive.

This led us to come up with the 5is framework that helps us to envision a media landscape that is increasingly:

  • Internet-only 鈥� produced and distributed by Internet Protocol or IP.
  • Intelligent 鈥� enhanced and automated by AI.
  • Intermediated 鈥� mediated by platforms and agents.
  • Interactive 鈥� optimised for user experience, engagement and advertising.
  • Immersive 鈥� augmented by immersion and contextual awareness.

This framework doesn鈥檛 just look at our work, but takes in the world in which we exist, and for others in the industry. Advertising, for example, is part of that, so it will influence the direction some technologies take.

Internet-only

- Produced and distributed by IP

Abstract pattern
More than half of UK households will exclusively watch TV over the internet by 2030
鈥� 3 Reasons, 2024

The next generation of audiences will consume 麻豆社 content over IP. In time, the 麻豆社 itself will also likely become a primarily internet based organisation. We are exploring how we make this an equitable digital transition for all - to ensure that the future of media provision is sustainable, affordable and universal and that the organisation is positioned to create and distribute content in ways audiences want.

Using advances in internet technology, we aim to create new audience experiences for everyone regardless of location and socioeconomic status.

If you鈥檝e ever streamed a live programme over the internet while someone else nearby is watching the same thing on broadcast television, you鈥檒l know that the streamed version is usually a bit behind. Our low latency research has significantly reduced the delay from internet streamed content.

If you鈥檝e ever streamed a live programme over the internet while someone else nearby is watching the same thing on broadcast television, you鈥檒l know that the streamed version is usually a bit behind. Our low latency research has significantly reduced the delay from internet streamed content.

Intelligent

鈥� Enhanced and automated by AI

A set of data points imposed over a photograph of a man
57% of UK Millennials want their content hyper-personalised
鈥� Statista, Consumer Trends, 2025

As AI develops, we want to ensure that it benefits the creative industries and society by leading the development of foundational capabilities and models that serve people, industry, and the UK.

We want the AI used by the 麻豆社 to make us better, more accountable, and responsive to audiences both national and local.

We want to develop AI technology that has been trained ethically and responsibly and will enhance the output that our journalists and production colleagues create.

R&D is integral to the 麻豆社鈥檚 work to investigate how AI, specifically Generative AI, could be used within the organisation and our research adheres to three principles set out by the 麻豆社鈥檚 AI leader, director of nations, Rhodri Talfan Davies:

  • always act in the best interests of the public,
  • always prioritise talent and creativity,
  • always be open and transparent with audiences when we use AI to support content-making.
Our work on speech-to-text generation enabled the transcription and subtitle services on 麻豆社 Sounds.

Intermediated

鈥� Mediated by platforms and agents

Illustration of how content credentials are displayed on the 麻豆社 News website.
An illustration of how content credentials are displayed on the 麻豆社 News website.
Over 50% of UK adults use social media as a news source
鈥� Ofcom, News consumption in the UK, 2024

To maintain a direct, independent relationship with audiences, we need to understand and work with the platforms and agents that sit between us and them. We are developing mechanisms for engaging with audiences wherever they are, however they connect.

The 麻豆社 has collaborated with other broadcasters to develop , a free streaming service that offers live and on-demand TV. Our work has contributed to the development of open standards, which make it easier to participate in the creation of new technologies.

In 2019, a consortium called Coalition for Content Provenance and Authenticity, or , was co-founded by 麻豆社 R&D alongside other members, including Adobe and Microsoft. Since then, C2PA has developed a technical standard to encode information about the provenance of imagery, video, and audio 鈥� information (or signals) that show where a piece of media has come from, and how it鈥檚 been edited. Similar to an audit trail or a history, these signals are called 'content credentials'.

Content Credentials can be used to help audiences distinguish between authentic, trustworthy media, and content that has been faked.

Interactive

- Optimised for user experience & engagement

Robin on the feeder
Wing Watch shows viewers extra data such as these AI-automated jump points on the timeline for common species that appear.
Interactive content generates a 52% higher engagement rate than static content
鈥� Mediafly Market Research, 2024

Audiences today demand more than passive consumption, they seek interactive experiences that allow them to engage with content, creators, and communities in real time. We are at the forefront of this shift, developing technologies that enhance audience interactivity while supporting the UK鈥檚 creator economy. By enabling new forms of engagement, we aim to drive deeper connections and unlock innovative storytelling opportunities.

One of our key projects, Wing Watch, exemplifies this vision. This AI-enhanced interactive wildlife stream uses machine-learning-driven data to help audiences navigate live content, guiding them to the moments that mattered most based on their interests. This type of personalised interactivity enhances user experience, increases content discoverability, and lays the foundation for future AI-driven engagement models.

Immersive

- Augmented by immersion & contextual awareness

A virtual concert taking place on a Radio 1 stage with avatars of the audience inside the venue and the artist on stage.
A virtual concertfor Radio 1 in the New Music Portal, with avatars of the audience taking part in the show.
By 2025, it鈥檚 predicted that the UK population will reach 68.3 million, and that 95% (roughly 65 million people) will be smartphone users
鈥� Uswitch, 2024

With our audience increasingly connected, we want to offer immersive experiences, contextual awareness, and enhanced interaction with our content and services across all internet connected devices. We are exploring how we can create new audience experiences defined through a public service lens.

We鈥檝e been doing multiple experiments in exploring live immersive environments. We鈥檝e partnered with Radio 1 to introduce the New Music Portal that brings the best performances to audiences in a game-like environment.

We have a cohesive vision of the future - fit for a generation, with a long-term research agenda, facilitated by the 5is framework that supports that this vision.

Our work will take advantage of technological advancements, using them to inspire and enhance 麻豆社 products, services, and operational efficiency.

Our work is built to public service values that prioritise universality, inclusivity, accountability quality, resilience, sustainability, efficiency, and scale.

And I鈥檓 proud to be a part of it.

More of our work on:
  • Internet - IP and cloud production and broadcast, streaming, mobile
  • Intelligence - Artificial intelligence, machine learning, generative AI
  • Immersion - Virtual, augmented, mixed realities, 360藲 video, metaverse, immersive worlds
  • Immersion - Next generation audio, binaural sound
  • Interactivity - Audiences, new content, new experiences

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