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What's the playbook that gets real‑world breaking news moments to become instant conspiracy theories? After an attempted attack at the White House Correspondents’ Association dinner, clips and early reports were quickly represented as “staged” narratives online. We dig into why big, chaotic events are now prime fuel for conspiracy thinking, how the state does little to suppress it and what this does to trust when the public feels exhausted by the constant churn of misinformation. Next, Meta’s next training data source: its own employees. Reports say Meta is rolling out tracking software on US staff computers to capture mouse movements, clicks and keystrokes — and even occasional screen snapshots — to help train AI agents that can perform work tasks. Meta says the data won’t be used for performance assessment, but it raises a bigger question: when “how you work” becomes training data, who is watching, and what will happen to your job when the training is complete? And finally: the age of “too perfect” writing. A new Chrome plug‑in called Sinceerly rewrites your polished emails to add typos and casual imperfections - because looking human is suddenly a status symbol. We talk about the cultural whiplash of AI in everyday communication, and what happens when authenticity becomes something you have to prove. The Interface is your weekly guide to the tech rewiring your week and our world. Hosted by journalists Thomas Germain, Karen Hao, and Nicky Woolf, each episode unpacks, week by week, the unfolding story of how technology is shaping all of our futures. No guests. No jargon. Just three sharp voices debating the tech stories that matter — whether they shook a government, broke the internet, or quietly tipped the balance of power. New episodes drop every Thursday on �鶹�� Sounds in the UK. Outside the UK, find us on �鶹��.com or wherever you get your podcasts, or watch the video version on YouTube (search “The Interface podcast”). To get in touch with the team: theinterface@bbc.com The Interface is a �鶹�� Studios production. Producer: Natalia Rodriguez Ford Executive Editor: Philip Sellars