Episode 2
The world is gripped in fear over the Cuban missile crisis and Polaris arrives into Holy Loch.
Airson 13 l脿 ann an 1962, bha daoine a鈥� gabhail eagal fhad 鈥檚 a bha Ceannadach agus Khruschev a鈥� feuchainn ris an t-saoghal fhaighinn air ais bho bhith faisg air l猫irsgrios ni霉clasach. Staing a bha air a leantainn air telebhiseanan air feadh an t-saoghail, dealbhan a lasadh caismeachdan an aghaidh armachd ni霉clasach agus anns am biodh 霉idh mh貌r aig daoine air taobh an iar na h-Alba is iad a鈥� faicinn b脿taichean-aigeil ni霉clasach Ameireaganach a tighinn a-steach do Holy Loch. Dha Brian MacUilleim agus Kay NicLe貌id, 鈥檚 e na se貌ladairean agus na saighdearan Ameireaganach a鈥� tighinn chun a鈥� bhaile aca a dh鈥� atharraicheadh beatha l脿itheil. Chaidh Albannaich an cuir air Taobh an Iar na Gearmailt, mar ph脿irt de l脿thaireachd armailteach a鈥� d矛on cr矛och bhon Aonadh Shobhietach agus Caidreabhaich C貌rdadh Warsaw, agus ann an Ste貌rnabhagh, chaidh buidheann a chur air chois an aghaidh gluasad a dh鈥� fhaodadh tachairt de 10, 000 saighdear NATO chun an eilein.
For 13 days in 1962, people feared the worst as Kennedy and Khruschev negotiated the world back from the brink of nuclear abyss. A crisis that was followed on TV sets across the world, images that would spark a tide of anti-nuclear protest and resonate particularly with people in the west of Scotland as they watched the arrival of US nuclear submarines into Holy Loch.
For Brian Wilson and Kay Macleod, the arrival of American sailors and military personnel to their town would change everyday life. In West Germany, Scots found themselves deployed as part of a massive military presence defending the border from the Soviet Union and its Warsaw Pact allies, while in Stornoway a group mobilised to protest against the potential relocation of 10,000 Nato troops to the island.
In Gaelic with English subtitles.
Last on
More episodes
Previous
Next
Credits
| Role | Contributor |
|---|---|
| Executive Producer | Bill Macle貌id |
| Producer | Ann Morrison |
| Production Manager | Marion Maclean |