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Peter Ford
Peter Ford "There is hardly anything more captivating than knowledgeable people talking together about their favourite topics."

I have spent most of my life in England and there can hardly have been a day since my infancy when I have not heard something broadcast from the wavelength of The Home Service or RadioÌý4. I am old enough for the signature tunes of Toy Town, Dick Barton, Special Agent and Music While You Work to have special resonances for me.

In more recent years RadioÌý4 has become for me, an essential sound magazine that provides unexpected educational information on matters that arrive in my consciousness at the switch of a button. Did I think I wanted to know about Archaeology and Imperialism or 10 things that can be done with a dead horse or the mores of club-culture in Shanghai? No, but minutes into these chanced-upon programmed my interest has been engaged. There is hardly anything more captivating than knowledgeable people talking together about their favourite topics and such programmes are the essence of my RadioÌý4 addiction. However my addiction is not total - the off button can deal with the role of RadioÌý4 as a platform for politicians and mainstream political and social commentators. And RadioÌý4 is still a wavelength where you hear many voices of dissent and satirical humour at the expense of the pompous and powerful.

RadioÌý4 is, in truth, only one of my diversions whilst working in the studio or workshop. Sometimes I switch to Radio 3, play a CD or revert to my language-learning-tapes - or enjoy silence. R4 is both surprising and unpredictable within a stable pattern of programming. These qualities keep me listening.
Peter Ford RE studied at the Hereford College of Art, Brighton College of Art and London University. He has been a director of the Off-Centre Gallery in Bristol since 1987.

Peter Ford is represented in the collections of the Victoria & Albert Museum, the Bibliothèque Nationale, the Ashmolean Museum, the Museum of Art in Portland, USA, the Barcelona Museum of Contemporary Art, the Kaliningrad Art Gallery in Russia and Galeria Stuki in Lódz, Poland.

During a career of 30 years as a print artist, Peter Ford has developed skill in a number of methods including etching, aquatint, drypoint and mezzotint. Since 1994, when etching ceased to be central for him, he has worked with wood, found materials and his own handmade paper, often inventing processes as he goes. Many of his recent images are abstractions, though suggestive of landscape and the wider world. He says that he is happiest when manipulating materials and always hopes to surprise himself and others, in a positive way, when lifting a printed image from the press.
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The Artist and Radio 4:

3-27 November 2005
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