Ìý"If I think too hard about the brush strokes I am about to make or what will happen next in a painting, something's Ìýlost, it becomes too considered. I need distraction and with the radio on as a sort of drone there's a sublime Ìýmoment where the marks I make and the noise of the Ìýradio fuse, and I am neither completely in one world or the Ìýother, and it's those moments that are the most successful creatively as something 'other' seems to take over."
